The Metropolitan Opera - The Magic Flute—Holiday Presentation

The Met’s family-friendly production of Mozart’s dazzling fairy tale returns, sung in English and running under two hours. Patrick Furrer and Gareth Morrell share conducting duties, leading a standout cast in Julie Taymor’s magical staging. Tenors Piotr Buszewski and Joshua Blue share the role of Tamino, the brave prince on a quest to win the clever princess Pamina, sung by sopranos Janai Brugger and Liv Redpath. The cast also features famed tenor Rolando Villazón reprising his uproarious portrayal as the luckless bird catcher Papageno, alternating with baritone Alexander Birch Elliott, and soprano Kathryn Lewek as the Queen of the Night, alongside basses Brindley Sherratt and James Creswell as Sarastro.

The Metropolitan Opera - The Hours

Pulitzer Prize–winning composer Kevin Puts’s hit new opera, which played to sold-out audiences during its world-premiere production last season, triumphantly returns. The original trio of legendary divas—sopranos Renée Fleming and Kelli O’Hara and mezzo-soprano Joyce DiDonato—reprise their celebrated portrayals of three women from different eras whose lives are connected through Virginia Woolf’s novel Mrs. Dalloway. Bass-baritone Kyle Ketelsen also returns as the dying author Richard, and Kensho Watanabe conducts Phelim McDermott’s gripping staging of this heart-wrenching drama, adapted from Michael Cunningham’s acclaimed novel and the Oscar-winning film it inspired. Based on the book by Michael Cunningham and the Paramount Pictures film

The Metropolitan Opera - La Bohème

Puccini’s timeless tragedy returns with three dynamic duos as the bohemian lovers. Sopranos Federica Lombardi, Anita Hartig, and Elena Stikhina alternate as the heartbreaking seamstress Mimì, and tenors Matthew Polenzani, Stephen Costello, and Joseph Calleja share the role of the love-struck poet Rodolfo. Sopranos Olga Kulchynska, Heidi Stober, and Kristina Mkhitaryan and baritones Adam Plachetka and Alexey Markov are the tempestuous lovers Musetta and Marcello, and maestros Carlo Rizzi and Marco Armiliato take the podium to oversee Franco Zeffirelli’s magnificent production.

The Metropolitan Opera - Un Ballo In Maschera

Verdi’s kaleidoscopic drama appears for the first time since 2015, with tenor Charles Castronovo making his Met role debut as the Swedish king whose love for his friend’s wife spells his undoing. Carlo Rizzi conducts an all-star ensemble that features soprano Elena Stikhina as Amelia, the object of Gustavo’s affections, and reigning Verdi baritone Quinn Kelsey as her husband, Count Anckarström. David Alden’s striking production also includes mezzo-soprano Olesya Petrova as the fortune teller Ulrica and soprano Nina Minasyan in her Met debut as the precocious page Oscar.

The Metropolitan Opera - Carmen

The Met begins the New Year with a vital new production of one of opera’s most enduringly powerful works. Acclaimed English director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries. Dazzling young mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the complex and volatile title role, alongside tenor Piotr Beczała as Carmen’s troubled lover Don José, soprano Angel Blue as the loyal Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Daniele Rustioni conducts Bizet’s heart-pounding score. Later in the season, another cast of world-class singers takes over, with mezzo-soprano Clémentine Margaine reprising her captivating portrayal of the title role, tenor Michael Fabiano as Don José, soprano Ailyn Pérez as Micaëla, bass-baritone Ryan Speedo Green as Escamillo, and Diego Matheuz making his company debut on the podium.

The Metropolitan Opera - Fire Shut Up In My Bones

Terence Blanchard’s stirring drama returns following its landmark company premiere in 2021, with bass-baritone Ryan Speedo Green starring as Charles, a young man faced with a fateful decision. Soprano Latonia Moore reprises her heartbreaking portrayal as Charles’s mother, Billie, with rising soprano Brittany Renee doing triple duty as Charles’s love interest, Greta, as well as the embodiments of Loneliness and Destiny. James Robinson and Camille A. Brown’s gripping production includes what is surely the only step dance in opera. Evan Rogister conducts Blanchard’s score, which powerfully melds opera and jazz. Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.

The Metropolitan Opera - Florencia en el Amazonas

Sung in Spanish and inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle. The Met premiere stars soprano Ailyn Pérez as Florencia Grimaldi, with Yannick Nézet-Séguin on the podium to lead a spellbinding new production by Mary Zimmerman that brings the mysterious and magical realm of the Amazon to the Met stage. A distinguished ensemble of artists portray the diva’s fellow travelers on the river boat to Manaus, including soprano Gabriella Reyes as the journalist Rosalba, bass-baritone Greer Grimsley as the ship’s captain, baritone Mattia Olivieri as his enigmatic first mate, tenor Mario Chang as the captain’s nephew Arcadio, and mezzo-soprano Nancy Fabiola Herrera and baritone Michael Chioldi as the feuding couple Paula and Álvaro.

The Metropolitan Opera - La Forza del Destino

Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendetta, and family strife, with stellar soprano Lise Davidsen following a string of recent Met triumphs with her role debut as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved Don Alvaro, baritone Igor Golovatenko as her vengeful brother Don Carlo, mezzo-soprano Ekaterina Semenchuk as the fortune teller Preziosilla, bass-baritone Patrick Carfizzi as Fra Melitone, and bass Soloman Howard as both Leonora’s father and Padre Guardiano. For the final three performances, soprano Elena Stikhina stars as Leonora.

The Metropolitan Opera - Madama Butterfly

Three extraordinary sopranos—Aleksandra Kurzak, Eleonora Buratto, and Asmik Grigorian (in her highly anticipated Met debut)—tackle the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenors Matthew Polenzani and Jonathan Tetelman co-star as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-sopranos Elizabeth DeShong and Eve Gigliotti share the role of the steadfast maid Suzuki, and baritone Davide Luciano and Lucas Meachem are the American consul Sharpless. Acclaimed maestro Xian Zhang makes her Met debut conducting Anthony Minghella’s vivid production.

The Metropolitan Opera - Nabucco

Ancient Babylon comes to life in a classic Met staging of biblical proportions. Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova and tenor SeokJong Baek, in his company debut, are Fenena and Ismaele, whose love transcends politics, and bass Dmitry Belosselskiy repeats his celebrated portrayal of the high priest Zaccaria. Daniele Callegari conducts Verdi’s exhilarating early masterpiece, which features the ultimate showcase for the great Met Chorus, the moving “Va, pensiero.”

The Metropolitan Opera - El Niño

Eminent American composer John Adams returns to the Met after a decade-long hiatus for the company premiere of his acclaimed opera-oratorio, which incorporates sacred and secular texts in English, Spanish, and Latin, from biblical times to the present day, in an extraordinarily dramatic retelling of the Nativity. El Niño brings together three of contemporary opera’s fiercest champions, all of whom make highly anticipated company debuts: Marin Alsop, one of the great conductors of our time, who has led more than 200 new-music premieres; soprano Julia Bullock, a leading voice on and off stage; and pathbreaking bass-baritone Davóne Tines. Radiant mezzo-sopranos J’Nai Bridges and Daniela Mack take turns completing the principal trio. The moving, fully-staged new production also marks the Met debut of Lileana Blain-Cruz, resident director at Lincoln Center Theater, who received universal acclaim for her Tony-nominated 2022 production of The Skin of Our Teeth.

The Metropolitan Opera - Orfeo ed Euridice

Last seen at the Met in the title role of Philip Glass’s Akhnaten, countertenor Anthony Roth Costanzo stars as the mythic hero who ventures into the Underworld to rescue his beloved Euridice. Soprano Ying Fang is his ill-fated bride, with soprano Elena Villalón in her company debut as Amore, the god of love who sets Orfeo on his quest. Christian Curnyn makes his Met debut conducting Gluck’s sublime setting of the ancient tale, enlivened by exuberant choreography from the legendary Mark Morris and featuring members of his renowned dance group.

The Metropolitan Opera - Roméo et Juliette

Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s towering staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.

The Metropolitan Opera - La Rondine

Puccini’s bittersweet love story makes a rare Met appearance, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman in his highly anticipated company debut as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. In their Met debuts, soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.

The Metropolitan Opera - Tannhäuser

Following his heroic performance as Siegfried in the Met’s 2019 Ring cycle, dashing Austrian tenor Andreas Schager returns as the knight Tannhäuser in Wagner’s ravishing opera of love, lust, and redemption. Soprano Elza van den Heever is the pure and virtuous princess Elisabeth, alongside mezzo-soprano Ekaterina Gubanova as the tempting goddess of love, Venus. Maestro Donald Runnicles takes the podium for Otto Schenk’s classic production, which also features baritone Christian Gerhaher in his Met debut as Tannhäuser’s companion knight Wolfram and bass Georg Zeppenfeld as Landgraf Hermann.

The Metropolitan Opera - Turandot

Franco Zeffirelli’s dazzling vision of mythic China retakes the stage, with soprano Elena Pankratova making her Met debut as the legendary—and lethal—title princess, opposite tenor SeokJong Baek as the valiant prince who puts his life on the line to win her love. Later in the spring, a pair of audience favorites, soprano Christine Goerke and tenor Roberto Alagna, assume the starring roles. Sopranos Gabriella Reyes, Aleksandra Kurzak, and Olga Kulchynska alternate as Liù, with basses Vitalij Kowaljow, Peixin Chen, and Soloman Howard as Timur. Maestro Oksana Lyniv makes her Met debut leading Puccini’s rousing score, sharing conducting duties with Marco Armiliato.

The Metropolitan Opera - X: The Life and Times of Malcolm X

Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an Everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, sings Malcolm X, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.